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Sunday 30 September 2012

Two at Six

I like a restaurant that has a bit of quirk to it, so it's not just completely about the food. A talking point, a unique feature, something that just gives it a little bit of an edge. And I'm just talking about the ladies loo. I've been to Six at the Baltic a couple of times, usually for cocktails with the amazing view of the Tyne bridges rather than food. My sister came back from London and who was I to say no to her request to go for dinner. It's worth it just to see her ashen face in the lift (she has a touch of vertigo). Just the location and going to a gallery for dinner is enough to get me over enthusiastic. I just with the gift shop was open late, but maybe then I would miss my reservation.

You take the lift to the top and should arrive forty minutes early to grab a cocktail in the cosy area at the back of the restaurant. They've changed it around a bit so it's a little bit more intimate (only six tables in there now - I worry I will be disappointed when I go for weekend cocktail and it's packed). I was feeling pretty delicate after corporate sponsored alcoholism the night before and gravitated towards the Bloody Mary, thinking tomato juice would sort me out. Mistake - it had enough vodka in it to sink the Tyne Cruiser. Oh well, start as you mean to go on. My sister had an espresso martini which maybe would have been a better idea for dessert - like tiramisu in a glass - lovely. 



My heritage beetroot tart  was surprising, I was expecting something similar to a french pissaladiere - roasted, sweet and pastry overload. A pastry disc arrived, topped with tiny baby beetroot which felt cruel to eat, with red onion chutney and a big dollop of clotted cream on top. It wasn't what I expected but it was interesting and delicate, and must have made life easier for the chef. L had mussels cooked in Scrumpy cider - mussels in anything for me is always a winner. Especially in Guinness or Newcastle Brown Ale. The maitre d' took the mickey out of her when she asked for more bread to soak up the luscious sauce, mocking that "there was always one." I was starting to enjoy myself watching her squirm - she hates any attention like that from strangers, especially ones that clap and point at her in a crowded restaurant.

The mains were well worth the wait. My duck with port and orange jus was sublime, melt in the mouth, crunchy on the outside, cooked just past pink. I want it again, now, for breakfast. There were clever accroutements, such as sweet potato fondant, mini pate balls and caramelised chicory. It all complemented each other perfectly. L's butternut and amaretti ravioli was exactly the kind of innovation Six delivers - I'd never tasted anything like it. The giant pasta square laced with almond liquer was exciting. I wish I could recreate the triple cooked chips at home and the roasted beets with dill creme fraiche helped me to get over my mini beetroot guilt. 

Disappointingly, I couldn't manage a dessert but had just enough room left for the delicious petit fours - eight mini pieces of heaven. The chilli chocolate fondant kicked in a couple of minutes afterwards and provoked much water guzzling, the rosewater marshmallow was a light alternative and cherry jelly was just silly. I floated out to strains of "You Can Call Me Al" from a wedding being held downstairs, dancing next to the Tyne pretending to play the trombone. What more can you want from an evening? 

Oh, when you go don't forget to visit the ladies, even if you're a bloke. It's worth even going undercover as a woman for the view, ceiling to floor glass. Very cool.

Tuesday 25 September 2012

Arts round up - October

October's offerings in Newcastle will promise to tantalise art lovers.

Balman Gallery - Marc Chagall


I am particularly enthusiastic about the Mark Chagall exhibition at the Balman Gallery in Corbridge, which is open until mid October. I recently spent some time in the art section of my local bookshop, wanting to see more of his work. I knew from the pieces I had seen on leaflets for this event that I would fall in love with it. He was a French Russian artist who was one of the most important visionaries of the 20th century. He was a modernist and was talented in a wide range of mediums; illustrations, stained glass, ceramics, tapestries and fine art. His use of colour is outstanding and is exemplified by his work on the ceiling of the Paris Opera, which caused some waves when it was unveiled in 1963. His work is very much influenced by his Jewish faith, fantasy and Russian folklore of his childhood.

His most famous series include the 'Bible', 'Paris,' 'Fables of Fontaine' and 'Jerusalem.' Below are just a couple of examples of his beautiful, uplifting work.



"Paris through the window"



The Birthday Kiss

Laing Gallery - Futureland Now


After the Art of the Family exhibition at the Laing, a total contrast appears in the shape of Futureland Now: Reflections of the Post Industrial landscape. It poses the question - what role can contemporary photographic practices play in reflecting the issues of our time? Photography by John Kippin and Chris Wainwright explores the postmodern period of uncertainty and change on the back of the recession and uncertain times.

Moonrise over Teesside by John Kippin

Moonrise over Teesside by John Kippin

Outsiders Gallery - Trustocorp


My favourite newly discovered gallery The Outsiders on the Quayside current exhibition is Borf - a street artist who has turned Rothko on his head. Be quick because this ends on 29th September, after the fantastic Morley exhibition. Their next treat, from Trustocorp, a US protest art collective is certain to provoke debate. There shows are interactive and appeals to lovers of contemporary art and has museum style contraptions to play around with.  The work focuses on how money is the root of all evil and the solution to our problems simultaneously, and highlights the global effect of greed and the need for money! Can't wait!

Trustocorp starts on Friday 5th October until Saturday 10th November.

Baltic 39 - Andrew Miller


I had a pleasant surprise when I went to the Highbridge quarter festival a couple of weeks ago and stumbled upon Baltic 39 - the centrally located little sister to Big Baltic, a hub for contemporary art. It combines Baltic exhibitions, studios for thirty three artists and an exhibition space for Northumbria students.  I saw a Northumbria University Graduate exhibition which showed a wide range of mediums (audio visual, fine art and sculpture). I really enjoyed the Andrew Miller bunting, the way the light streamed in and created the pointy shadows dancing across the wall was really something.

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Andrew Miller bunting

Baltic - Janet Cardiff and Mark Wallinger


Currently Big Baltic has a nice variety of work - Janet Cardiff's "The Forty Part Motet" made me take time out of the chaos to reflect. It consists of forty voices played through forty different speakers grouped into eight choirs of five singers. You feel as though you are part of the choir, sitting with the haunting sounds of Tallis's Spem in Alium Nunguam Habui 1573 reverberating around you. (Tallis was the composer of the erm, background music in 50 Shades, just to bring down the tone).


Mark Wallinger - Site

Turner prize winning Wallinger releases three new commissions in his latest work. My mind was boggled by 100000000000000000 2012, a massive binary inspired chessboard covered in 65,536 stones. Trying to count them out down the side was a nightmare :) A brick wall and a digital self portrait completes the trio.


Already looking forward to November!

DJS